Hold the Glamour

I am a full-figure model and working mother. I am a wife, a sister, a daughter, a friend. I am a Leo. I am a first-generation Aussie and mother to two amazing little native New Yorkers. I believe that fashion is important—but so is real life. I believe that all women are beautiful and strong. I believe in working hard and loving harder. I believe in eating delicious food and drink with close friends, in breathing deep the air of new places, in laughing until you cry. I believe that when our bodies and minds are healthy and balanced, anything is possible.

Tag: wind machine

Hair, glorious hair!

Lucky for me, my parents gave me good hair. I have thin hair however, a lot of it. It really helps in my industry. My hair is worked on most days of the week so it’s important to have a lot of it and for it to be healthy and strong.

NYC - A hair piece

NYC – A hair piece

Many models and actors don’t have the same amount of hair as I do so they resort to hair extensions or hair pieces. I knew nothing of this until I moved to New York 11 years ago. It wasn’t something I had to deal with.

On occasion, when a client likes to use the wind machine and they love good hair, the hair and make-up artist will add some additional hair pieces to my own hair to fill in the gaps or the holes that the wind machine can create.

NYC - Bill Westmoreland taking my hair pieces out

NYC – Bill Westmoreland taking my hair pieces out

I love working with Bill Westmoreland. He is old-school and has been in the industry a long a time. He knows how to handle hair and make you look your best with the face and hair you were blessed with. Bill is an artist.

NYC - Bill Westmoreland and I

NYC – Bill Westmoreland and I

The hair pieces clip into your own hair after it has been back-combed a bit. It adds some tension for the clips to hold on to (not fun combing/brushing it out at the end of the day though). Then you are good to go.

I don’t feel the hair pieces in my hair until the end of the day when they start to get heavy and my head gets a little sore. I really don’t know how the girls who rely on their hair pieces or weaves can handle it after so long. Thank goodness it’s an added bonus for my look, not a necessity. I am one of the fortunate ones I have come to realise.

NYC - Liz Polden, me and Bill Westmoreland

NYC – Liz Polden (stylist), me and Bill Westmoreland (h&m)

My team of Liz and Bill are bar none! They are fabulous and make my day so easy and fun. I had a great day at work. Lucky me…

I’ll find out some of the best brands to buy to make life easier for you. In the meantime…

Have you ever worn hair pieces or hair extensions?

What did it feel like?

Do you know of any good places to have these hair pieces/extensions made up for you?

Visions of a studio set

NYC - Sets are typically black and white as can be seen above

NYC – Studio set

 

 

NYC - back shot of a model ready to go

NYC – Back shot of a model

 

 

I’m sitting on the sidelines, waiting for my turn to get on set and start shooting. The hair and make-up station can be seen peeking through the first picture on the left-hand side. The round lights are blinding sometimes and the station can’t be missed.

Studio sets are typically black and white as can be seen above. Reflector boards are always present allowing the light to dance about on set. Sometimes they face me as black boards and other times as white – it depends if I’m wearing light or dark colours and the setting the lights are on.

The wind machine is tilted, waiting to blow ‘Victoria Secret’ like hair. They can make your eyes water like rivers when turned up too much. This is not good for make-up and when I’m not shooting, I step out of the direction of the machine or the hairstylist angles it away.

Above, the model is patiently waiting and ready to start shooting. She waits for the photographer to check with the digital technician to make sure the light is correct. Computers and digital photography have made this process faster, easier and immediately accurate.

In the second picture you can see the power pack (small box sitting on the ground to the right-hand side with lots of electrical cords coming out of it). A power pack connects with the base of a camera to add more power – it is designed to provide a power boost.

It’s a glimpse of some behind-the-scenes action I get to see and experience when shooting in studio.

Have you ever been on a studio set before? What aspect of your experience or the set interested you the most?